A los diecinueve años ingresé como becario de la Orquesta Sinfónica de Asturias. En este contexto comencé mis estudios e ingresé en el Conservatorio Superior de Oviedo, donde me gradué ganando el premio de interpretación en viola y el de Música de Cámara Ángel Muñiz Toca, bajo la tutela del profesor Wieslaw Rekucki. Nací en Avilés, en el seno de una familia con antecedentes musicales.
QUINTAESENCIA JAEN PROFESSIONAL
He was an assistant teacher of Singing at the Professional Conservatory of Gijón (courses 2004/5 to 2011/12), in the subject Languages Applied to Singing. He is in possession of the Diplôme de Langue Française (Alliance Française, 1983), as well as the Spanish Certificate of Competence for the Superior Cycle of French (EOI of Gijón, 1996), the Spanish Certificate of Competence for the Superior Cycle of English (EOI of Gijón, 2006) and the PLIDA B2 of Italian (Società Dante Alighieri, 2009). in the course of “Didactics and Methodology of the Area of Mathematics” (University of Salamanca, academic year 1980/81). He has been an associate teacher of Mathematics after public examination (1981/82 to 1988/89), currently on leave of absence, and has also been a collaborating professor at the I.C.E. Likewise, he has a degree in Mathematical Sciences (Universidad de Salamanca, 1980), and is in possession of the Post Graduate Certificate in Education (Universidad de Salamanca, 1981). – “The semantic field of dissonance: διαφωνία y ἐκμέλεια in Greek music”, lecture presented at the VI Seminar on Classical Philology at the University of Oviedo (March 2006). 66.18 and 68.32 Düring”, paper presented at the XVIII Jornadas de Filología Clásica at the University of Oviedo (April 2009).
QUINTAESENCIA JAEN SERIES
– “Music and Planets: the “Harmony of the Spheres”, guest lecture in the series In Orbit: Around the Planets of Gustav Holst, organised by the University of Oviedo (Avilés, March 2013). – “Algunas consideraciones críticas y exegéticas en torno al texto de la Harmonía de C. – “El helicón y las Musas heliconíades: una cuestión lexicográfica”, Athenaeum 98/1 (2010), 25-43.
In the field of Ancient Greek Music he has authored the following publications and communications: To carry out the preliminary study and the translation and commentary of Porphyry’s work, he was granted a sabbatical leave (academic year 2003/04) by the Ministry of Education of the Principality of Asturias (Resolution of ). Lucía Rodríguez-Noriega Guillén, was graded excellent cum laude, and Honourable Mention in the “Pastor Awards 2016 of Doctoral Theses” of the Pastor Foundation of Classical Studies. His thesis, entitled Greek Music in Porphyry’s Commentary on Ptolemy’s ‘Harmonics’ and supervised by Dr. He completed his PhD in Classical Philology at the University of Oviedo in 2016. Lucía Rodríguez-Noriega Guillén, which obtained both the qualification of excellent and an honour prize (Oviedo, course 2001/02), and the Pastor Prize 2002 for minor theses of the Pastor Foundation of Classical Studies (Madrid, 2002). He ended the second one with the dissertation “Claudio Tolomeo y la teoría musical griega: El Tratado de Harmonía”, supervised by Dr. For the first one having obtained a graduation award (Clarín Award of the Philological Department). He holds two degrees in Classical Languages and Literature (University of Oviedo, 19).
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